I am SO GOOD, that three years later, I can still annoy you.
You can bow and chant that you are not worthy.
And I’ll blush and Aw- shucks you while kicking up dust….
You can bow and chant that you are not worthy.
And I’ll blush and Aw- shucks you while kicking up dust….
For as many of my author friends who are ecstatic about the way their book covers turned out..
“Whatever you give a woman, she will make greater. If you give her sperm, she’ll give you a baby.
I am easily bored. I used to move alot. And change jobs. And travel. And go out.
Here’s the backstory if you’re new here-
or if you’re like my husband who only hears the words that come after steak,
On a trip to Savannah, I found a bronze statue by the river. I asked a shop clerk about The Waving Girl and he told me a story of desperate love, of loss and redemption. I spent three days in the archives and over three years researching, reading and rewriting this story based on Florence Martus and her brother George, a lighthouse keeper.
Linda Sands’s We’re Not Waving, We’re Drowning, is a haunting, multi-generational commercial southern women’s novel set in Savannah between 1894 and the present. It’s not a mystery, even though a man disappears. And it’s not a romance, even though the three protagonists—each living in a different era—do fall in love. Rather it’s a big, meaty meal of a novel about women searching for family and discovering strength and loss and identity in a changing world and at particularly transitional times of their lives.
I am all about the somethingness. Yes sir, yes sir, three bags full.
“The writer must not really know what he is knowing,
So, yes. I went on vacation. And yep, I actually came back. Dammit. The post delay has many reasons…